Showing posts with label David Hayes. Show all posts
Showing posts with label David Hayes. Show all posts

Monday, November 30, 2015

Putting Enlight's Urban Through Its Paces -- A Tutorial by David Hayes

UPDATE: (Geri's Note) Before purchasing Enlight, be sure to use this link, or search the App Store using Enlight Lightricks Ltd. There is a "fake" Enlight on the App Store that has copied the icon (with slight variation) and uses all of the photos from the Enlight App. I'm not sure how Apple let this happen, but wanted you to be forewarned, so you don't waste your money on the phony app. Currently the authentic Enlight app is only usable on the iPhone, but when it is made ready for the iPad, you will be able to use your current download on the iPad.


Tucked into Enlight’s bag of tricks is a great set of presets and tools that will bring out the creativity in you. I’m talking about Artistic > Urban. It’s like this...Urban makes you think about where you want to go with your image. This is a good thing...really. Sure...you could slap a Preset onto your image and publish but that’s not what you want to do when using Urban. You want to ponder the possibilities and, as I found out while using it, show some restraint. Let me show you what I mean!




Here’s my source image. I shot this several years ago while up in Michigan...the Traverse City area. It was midday and we were heading home...and looking for a gas station. Turning a corner...there it was. A burned out store and mechanic’s shop just down the street from a gas station. While my wife put gas into our car, I ran back and grabbed a couple of quick shots. I used the images of the mechanic’s shop and forgot about the store front. Until now…



As the source image was already cropped square, I didn’t have to do anything in Canvas. So...it was straight to Artistic.



In the Artistic menu, I tapped Urban. Artistic>Urban.



Okay. Here’s where things start getting fun. You see, when you tap Urban your image comes up with the default Preset which happens to be Neutral. In Neutral the colors in the image are converted into two colors...black and white. Low levels = black, High levels = white. Keep this in mind as I go forward. (This conversion happens in all the Presets but you don’t necessarily notice this with everything else going on.)

I didn’t want to use one of the other Presets so I could show you the real power of Urban. So...instead I tapped on Tools.



The first thing I want to do is to change the color of my high levels from black to one that’s more in keeping for what I have in mind for my image. To do that I tapped on Colors.



Color 2 is default to white...or the high levels. To change this, tap on it to activate. Then swipe back and forth on the color scroll to find one you like. I picked this one as I felt it would give my image more of a burned out feel. The Brush controls help you fine tune the low and high levels. I didn’t use Brush 2 this time as I liked it just the way it was!



With my Colors set, it was Urban > Tools > Basic.



Here’s another great place to fine tune your image to give it that special something! A bit of explanation first…


The Threshold control sets the brightness level for which colors will be transformed to white. The lower the level the more blacks, the higher the level, the more whites. With that in mind, I adjusted Threshold to 38 to bring out more of my image’s blacks.


Smooth will “smooth out” or “rough out” the boundaries between the image’s whites and blacks. The best way to understand this is to give this control a try, going both ways. I didn’t feel my image needed any adjustment here so I left it alone.


Finally, Restore brings back the source image with 100 being fully restored. Sometimes you don’t need to do this...and sometimes you might. I wanted to make sure the “CLOSED” in the sign was clear so I had to Restore to 83. Again, this control is something you have to play with to fully understand.



So far so good? Okay! Time to move on the next fun part...adding a Backdrop. But wait...the arrow in the screenshot is pointing to Blending?
Not a problem...just want to show you something I like to do before going to Backdrop.



In Blending mode, Enlight...like many other apps...defaults to Normal at 100. The problem with this is that the Backdrops don’t show up in Normal...or at least most of them don’t. So I like to “preset” to Overlay at 100 before I starting checking out the Backdrops. Maybe it’s just me….



Alright! Now it’s time to play with the Backdrops!



Enlight gives you a whole bunch of nifty Backdrops...some of these are used in the Presets...and some aren’t, which is why I like to do all of this work myself!! After trying all the Backdrops, I picked the first one for its grunge look.



Guess what? Time to go back to Blending to fine tune.



And you know what? After giving each blending mode a try, I came back to Overlay at 100! (I’m usually a Hard Light or Multiply type of guy…)


So...all done in Urban. I tapped on the Check icon in the top right corner to put all of this into place. But...I’m not done so stay with me!!!



While I like the image the way it is now, I wanted to do a bit of adjusting to give it a bit of “pop”...so I tapped on Image.



Then Adjust.



Then...Presets >Miso at 100! Looking better at this point...but I just couldn’t leave it without a bit more…



Now it’s Image > Clarity



Presets > Details at 100.



Yeah...I’m still not happy. Back to Image….



No Presets this time! I’ll do it myself! Tools….





Basic to get at the Contrast and Exposure controls.





I adjusted Contrast to 26...Exposure to -6. Now I was done. Saved to Camera Roll!




Here’s the “Before” and “After” shots of this image. I like how I was able to maintain the integrity of the image’s narrative yet add to it using Enlight’s Urban and Image tools!


About David Hayes

Find David:  Website / Flickr / Instagram / Facebook 

David has done many things in his life...some of which he considers more significant than others. Yet, he feels all have made him the artist he is today. He’s been a cook at a truck stop, a janitor at a military base, worked in advertising, been a banker managing other people’s money, and an elementary school teacher. Trained as a photographer as an undergrad, he’s recently returned to these roots and now considers himself foremost a photographer and secondly a mixed media artist.
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Sunday, November 29, 2015

A First Look at Matter, A Creative Design Tool from Pixite by David Hayes

I'd like to thank David Hayes for this excellent tutorial! Hopefully this will be the first of more to come.



The folks at Pixite have recently put out a new app that has everyone’s attention: Matter. What is so uniquely interesting about this app is not only does it have a great array of 3D objects that can be inserted into your photos; it also gives you the ability to animate these objects and create short video clips. I’d like to share with you a “first look” at what this app can do.


Opening Matter brings you to this screen that has a couple of options worth bringing to your attention. The Info (A) icon will take you to three different screens about the app…make sure to give the third screen a close look as it’s a quick tutorial on all the features of this app. The Ideas (B) screen shows you some great pieces created with this app…worth a look as well your first time using the app. Finally, the New icon (C) is what you’ll click every time as it will take you to your Photo Albums.


I picked this background from my Camera Roll that I had created earlier for a different project. (I always like to recycle when I can!) As you can see at the bottom of this screen shot, Matter, gives you a choice of four different aspect ratios for you to crop with…or “None”… which I used as my source image was already cropped square. Clicking on the Check Mark icon in the bottom right takes you to the Objects menu.


There are four different categories of 3D objects you can choose from…make sure to go through all of them when you first start exploring this app. These can be accessed either through the on-screen menu or from the scroll bar at the bottom. I went to the “Unique Structures” pack for my first object.


In this pack, I chose “Structures – 4” as I like how the circles and loops complimented my background. Just click on the icon/symbol in the scroll bar to put it into place.


Using the usual two-finger pinch and hold, I repositioned this structure in my source image. I didn’t worry about fine-tuning this placement just yet as I knew I had to also reposition the structure’s shadow in a couple of steps.


With the structure roughly in place, I clicked on the “Style” tab, which gives you a number of style options for the object. I picked “Reflect” so the colors in my source image would be reflected, adding to the 3D effect.


Time to work with the Shadow (A). You have the option of leaving the Shadow effect “On” or turning it off…I left it on. Clicking the arrow icon (B) lets you adjust the Shadow Floor or the positioning of the shadow to the object. Using the scroll bar, I moved it to “80”.


Moving to next icon, Shadow Opacity, I adjusted this to 100%.


The last icon lets you adjust the Shadow Blur that I set at 10%. With all this in place, I did a little more adjusting of the Structures position in preparation for the next step. Clicking on the arrow icon in the top right corner will take me there!


In this screen you are given the option of “New” which starts things all over, “Video” which takes you to the video set-up screen…not ready for that yet…or “Export” which I clicked.


Many choices in this screen! This time I clicked on “Add Object” as I wanted to do just that. A note here…this will lock down any structure that you have worked with beforehand so make sure you’re happy with your prior work before moving on!


I clicked on the menu icon to return to the Structure Pack screen.


This time I went for “Polyonfire Collection”. (Sounds like something from the Hunger Games, doesn’t it!!!)


I’m going to move through the next steps quickly now, as it’s the same flow as the first object. In this Collection, I picked “Polyonfire – 11”.


Positioning this structure, I moved to the “Style” screen.


Again I picked “Reflect” for the same reasons as before.


I adjust the “Shadow Floor” to 94% this time.


“Shadow Opacity” was set to 100%.


Finally, the “Shadow Blur” at 10%.


A little repositioning of this object and now it’s time to animate!! Click on the top right arrow…


This time, click on “Video”!


This screen gives you several options in making your video. You can pick which axis(s) your object will rotate upon, the Speed of this Rotation, a Pulse effect, and a Hover effect. Play around with them all before settling to make sure you get just the right combination. For my project I picked the “X” axis, speed of “1” and no Pulse or Hover. Then click “Make Video” to make it so!


You’ll get this screen while the app puts everything into place. Once finished, your video will automatically be saved to your Camera Roll.


This screen will come up when your video is finished to give you Share options. Clicking on the IG icon takes you to a screen to set-up for sharing here which I’ll show you next…or click “Done” to close out.


If you picked the IG option, you’ll get this screen. Click on “Open Instagram” and you’ll be taken there!


Here’s my video clip for your enjoyment…hope you like it! You can also catch this on my IG stream, @clearerreflections, along with many more like clips!



About David Hayes


David has done many things in his life...some of which he considers more significant than others. Yet, he feels all have made him the artist he is today. He’s been a cook at a truck stop, a janitor at a military base, worked in advertising, been a banker managing other people’s money, and an elementary school teacher. Trained as a photographer as an undergrad, he’s recently returned to these roots and now considers himself foremost a photographer and secondly a mixed media artist.


Find David:  Website / Flickr / Instagram / Facebook 


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