Showing posts with label Portraits. Show all posts
Showing posts with label Portraits. Show all posts

Friday, November 27, 2015

Dramatic iPhone Portraiture by David Booker

What is your name and where do you live? 

DB:  My name is David Booker and I live in Belper, Derbyshire, England


How did you get started in mobile photography? What device do you use? 

DB:  As a keen photographer all of my adult life, I began taking mobile images pretty much as soon as cameras were available on the earliest smart-phones, but I guess it wasn’t until the release of the iPhone 4 – and the significant increase in camera quality – that I began to see the potential for using it as a serious tool for creating more artistic images. I’m currently using the iPhone 6 Plus.


Do you have a traditional photography or art background?

DB:  Since the age of about 14 I’ve progressed through using film (and learning about developing) through to digital photography (and Photoshop) through to mobile photography, but all for my own creative outlet rather than professionally or with any formal training. Both photography and art (in the wider sense) have played an important part in my life and remain something that I’m always drawn to.







Do you see any advantages of mobile over traditional camera photography?

DB:  Aside from the obvious answer of ‘convenience’, I think that there’s becoming less and less of a distinction – or need to differentiate – between the tools that are used to take photographs. As far as the viewer’s concerned, what does it matter? A good photo is a good photo and whether it was taken on an iPhone, a Canon DSLR, a Polaroid camera or a Kodak Brownie, then this really is of no real importance. I think as the novelty of knowing that an image was shot using a ‘phone camera’ wears off (as the quality of such cameras improves, it surely will), then the viewer will be more concerned with asking why rather than how (to paraphrase Man Ray).



Who or what inspires you?

DB:  I take in inspiration from all forms of art, from painting (Picasso) to literature (Murakami) to music (David Sylvian) to photography. Some of my favourite photographers include Kristamas Klousch, Francesca Woodman, Susan Tuttle, Eloise Capet, Rimel Neffati and many of the obvious masters. 


There is a woman featured in most of your photographs, who is she?

DB:  All of my images feature my partner (now wife), Eve.



How did your particular editing style (blur, texture, etc) develop?

DB:  This came quite early on and reflects my need to always distort – or blemish – my images in some way. I’ve always found it much more rewarding to have to search for hidden beauty in something, whether in a photograph, a painting or in music. It’s always seemed so much more interesting and satisfying that way. It’s about appreciating the light more when it’s contrasted with the shade. When I first discovered the work of Kristamas Klousch, it was so refreshing – I felt inspired to create almost immediately!



What apps do you use to edit your images?

DB:  I have many, many apps and almost always run my images through several before I’m done processing. Snapseed has always remained my go-to app when starting though.


Any tips for organizing and storing photos?

DB:  I'm quite obsessive when it comes to organizing my work (and everything else for that matter). I have things in specific folders that relate to what's on my website, social media or that have been used for particular interviews, features, etc. I also make regular back-ups (iPhone/MacBook/cloud/external hard-drive).

I'm an avid user of Evernote and that's where I also tend to organize and compartmentalize all aspects of my life, not just my photography! In terms of the iPhone itself, I have folders that contain images from different photo shoots. I also then have a folder for selected images that I feel have 'potential' and one for 'works in progress'.



Are all of your images mainly saved on a computer somewhere or do you display printed versions in your home or elsewhere?

I have a few of my favorite images on display at home, but they only make up a small percentage of the large number of pictures that I like to have around me.


Please tell me about your solo exhibition that just launched.

DB:  This has been incredibly exciting! Louise Shipley, owner of a brand new gallery in Wirksworth, approached me earlier in the year as the gallery was being set up, and asked if I’d be the first artist to exhibit there, which was a great honor. The exhibition contains around twenty-six of my images and runs until the 30th July.



Do you regularly enter your work in juried competitions?

DB:  Other than the annual Mobile Photography Awards (MPAs), no, not really. But it’s something I really should make more of an effort to do!


What advice would you give to mobile photographers who are just starting out?

DB:  First and foremost, shoot for yourself, your own creativity. Create something that YOU love and never have an end goal other than that in mind. If someone else happens to like it too, then great.



Is there anything else you'd like to add?

DB:  Many thanks for giving me the opportunity to talk to you. x


Find David: blemished eye / Instagram 

Apps Mentioned:
Snapseed



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Sunday, November 22, 2015

Richard Gray's Great Portraits With Your Smart Phone

I first heard about Richard Gray (@rugfoot on Instagram) from my friend Dilshad Corleone (@italianbrother on Instagram). Dilshad had taken a course in iPhoneography from Richard and raved about all that he learned. I had to admit I was a tad envious that Dilshad had access to such a great teacher in his area (London).

Now, we can all benefit from the teachings of Richard Gray through a recorded version of a recent webinar, "Great Portraits With Your Smart Phone".



2013-10-10 17.00 Richard Gray presents Great portraits with your smart phone from Manfrotto on Vimeo.

For more about Richard, check out my interview with him here.


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Thursday, November 12, 2015

Michael Clawson to Speak at MacWorld/iWorld

MacWorld/iWorld is almost upon us. I thought this was going to be my year to attend, but it looks like I may have to wait until 2015. If I did attend I'd be sure to catch the presentation by Michael Clawson. 

Michael Clawson is ‘Chief Fish’ at Big Fish Creations, an advertising and digital media company in the Sierra town of Graeagle. His background began in Silicon Valley when Apple Computer and Adobe Systems first made their mark in Desktop Publishing. He was introduced to interactive media early in his career, transitioned to production artist, and later, creator and lead principal of an Interactive Department at a major advertising agency. Specializing in branding across multiple media platforms, his diverse repertoire includes a hybrid combination of designer and developer with emphasis on graphic design, branding, photography and communication. Michael is also a published author and often writes about iPhoneography and creative editing.

Geri:  Tell me a bit about your start with iPhone photography.

Michael:  My start with iPhoneography was somewhat accidental, yet meaningful. Around the first of October, 2010, I was on my way to a client meeting. As always, when I discovered something interesting, I would snap a shot with my iPhone. In this case, my interest was caught by the dramatic clouds floating above my client’s hi-tech building. I quickly snapped a picture with my iPhone and headed in to the meeting. Once inside, my clients and I were going through some ideas about a brochure and folder design, looking for an image that really stood out. Nothing really clicked. Then, I recalled the image I had just snapped before entering the building. I pulled out my iPhone, cued up the photo and asked: “Would this work?” Everyone in the room went wild with excitement, and it became unanimous that “that” was the shot. From then on, I knew the iPhone was my new creative tool and have never looked back since.

My First Instagram with “that” shot:

© Michael Clawson
© Michael Clawson


Today, I shoot with both my Nikon SLR and iPhone and post processing shots in Adobe Photoshop, Lightroom and in numerous iPhone apps. Many times I find myself being more creative with my iPhone since it allows me to really explore my ideas with simple ease. 

Geri:  What is MacWorld/iWorld?

Michael:  If you are an Apple faithful, you might say MacWorld/iWorld is like the home planet of your kind. Almost everything Apple or Apple related is featured at the show. In fact, it’s a great place to see the latest gadgets, goodies, and apps in the Apple Industry. The show also offers cool presentations, training and tech talks where you can learn just about anything related to Apple products, third party products and compatible apps. You can find out more about the show at the MacWorld/iWorld site.   

The Thinker © Michael Clawson
The Thinker © Michael Clawson
Apps Used: Faded, Facetune, ColorTime, Image Blender, PS Express, Big Photo
Channeling Instagram's @blacksmithpat © Michael Clawson
Channeling Instagram's @blacksmithpat © Michael Clawson
Apps - Hipstamatic TinType SnapPak

 Geri:  What will you be presenting and when?

Michael:  On Thursday, March 27th, from 3 to 3:45 pm, I’ll be presenting Creative iPhone Portraitures. This is the third in my series of MacWorld/iWorld Talks on iPhoneography. In this session, my focus is really aimed at the beginner to intermediate user interested in learning tips, tricks, and secrets for creating better portraits with their iPhones.

As I see it, there are essentially three main stages in the portrait process. First, you need to relax your subject so they behave more naturally. I most often find humor works the best to break the ice so to speak. Second, you need to pay attention to the subject and strive to capture that so called “perfect” shot. This typically involves taking a lot of photos until that magic happens, but, it should also involve more than just blind chance. Observation and attention to detail is key. Third, post-processing and editing play a major roll in the end result, and should not be underestimated – especially when you are trying to create a traditional SLR technique like depth of field for example. I will be briefly covering these stages and will actually have a live model for the presentation. Of course, in between these major stages, I’ll demonstrate tips and tricks such as how to deal with low-light situations, how to pick the right shooting app, burst mode photography, etc. I know it is a lot to cram into a 30-minute presentation, especially since I always like to open the floor for questions at the end. 

I have also partnered with the developers of Facetune to give live demos of their amazing app on the show floor in the Appalooza area Thursday-Saturday, March 27-29th. I will be joined by a few of my creative colleagues who will also be demoing their take on the app. It should be a lot of fun, and a great place for attendees to learn about Facetune, which is aimed squarely at iPhone/iPad Portrait photography and editing.

Beach Boy © Michael Clawson
Beach Boy © Michael Clawson
Mopar, The Wizard of the Desert © Michael Clawson
Mopar, The Wizard of the Desert © Michael Clawson

Geri:  Is there any way for people not attending to view your presentation?

Michael:  Unfortunately, my presentation will not be recorded. But, as always, I plan to upload my slides to my Slideshare account. I do believe MacWorld/iWorld will also make them available to people attending the event.

Geri:  Is there anything else you'd like to add?

Michael:  First off, I really appreciate you taking the time to interview me here. I enjoy sharing my love for iPhoneography whenever I have a chance, and your blog is one of my favorites. Also, I’m excited to say I’m writing a book on iPhoneography that hopefully will be out later this year. Yes. That was a shameless plug, but well, there it is so stay tuned. 


Objects in the mirror are larger than they appear © Michael Clawson
Objects in the mirror are larger than they appear © Michael Clawson
Olloclip Fisheye
What? Are you talking to me? © Michael Clawson
What? Are you talking to me? © Michael Clawson




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Saturday, November 7, 2015

Instagram Challenge Showcase - Face Collage

For the first time I issued a challenge on Instagram. The rough guidelines for the challenge were to take various parts of different images and combine them into a face. There was a wide range of entries and some very inspiring and unique interpretations of the concept. Those that participated commented that they enjoyed the challenge of approaching a project outside of their normal workflow. 

Are you interested in more challenges like this? Let me know in the comments.

Here are just a few of the works submitted.  Below the image is their Instagram username in case you want to check out their IG gallery!

@justjody59
@justjody59
@trishg61
@trishg61
@naomihaverland
@naomihaverland
@the_creative_i
@the_creative_i
@trishg61
@trishg61
@justjody59
@doctorjazz
@doctorjazz
@trishg61
@trishg61
@distressedfxapp
@distressedfxapp
@hereiamjm
@hereiamjm
Self-pity is never useful... @trishg61
@trishg61
@klimtt
@klimtt
@Sleekmaus
@Sleekmaus
@hereiamjm
@hereiamjm
@theeandrew
@theeandrew
@distressedfxapp
@distressedfxapp
@the_creative_i
@the_creative_i
@beezzz_
@beezzz_
@shadowleitner
@shadowleitner
@beezzz_
@beezzz_
@marietteschrijver
@marietteschrijver
@the_creative_i
@the_creative_i
@ylmommyx4
@ylmommyx4
@trishg61
@trishg61
@gericentonze
@gericentonz
If you'd like to see the entire collection just visit the #aom_facecollage hashtag on Instagram.
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