Showing posts with label iPhone Photography. Show all posts
Showing posts with label iPhone Photography. Show all posts

Saturday, November 28, 2015

Mob Street Photographer - えんぞう Enzo

Here is the third installment featuring a photographer from the Mob Street Flickr Group. We are already growing and the work is beautiful. I learn from each photo that I view. Today I present a photo from Japan. The world has become so small with the advances in technology. I love that I can see street life in Japan without ever leaving my living room! 

“The Pictures are there, and you just take them” – Robert Capa

The Work


© えんぞう Enzo
© えんぞう Enzo



The Photographer - えんぞう Enzo

© えんぞう Enzo
I work in an advertising agency in Tokyo. The appearance of Instagram was an opportunity for me to make Mobile Photography into a hobby.  I have served as the representative of Instagrammers Japan (@IGersJP) since 2012. I published the iPhone photography book "Asagaya Residence" in Japan in 2013. I was awarded by Mobile Masters |  P R O O F | Contest in 2014.


(Geri's Note: I enlisted the aid of my high school friend and her father to help me translate the original Japanese. I wanted to give Enzo the chance to comment in his native language so he could fully express his ideas on mobile photography.)

Enzo's Commentary 

I am working on mobile photography with two major concepts which are photography of ordinary life while the other is more creative photography.

I think that the photos of ordinary life seen is the real meaning of mobile photography. My experience with photography started when Instagram was created. The iPhone 3Gs was the first camera I owned. I was so interested in Instagram that I bought and used many cameras and even took a professional photography course and obtained a certificate. I used an iPhone most of the time, because it fits in my palm.

If I had more leisure time, I would have used professional photography equipment, software and computer for processing and editing photos. Unfortunately, I am not a professional photographer, but an ordinary working person and head of a family. Without mobile photography, I would not be interested in photography. At the same time, my photography is inevitably limited to family photos on my days off. In general, my photos are not so called "cool", consequently my challenge is to take "cool" photos. My pictures are weekend shopping and leisure times seen.

My second concept of mobile photography is kind of "Dadaisme". I am creating photos with people, umbrella, silhouette or reflection in a magnificent scene and photos using the analog filtering technique.

The early devices of iPhoneography were poor quality when used as a camera and required creative techniques for photographing and processing to get good results. Since the creation of Instagram, various techniques have evolved. The word "iphoneographs" has been forgotten, while the quality of the "mobile photograph" has improved significantly. The benefits Instagram has brought are countless.

Instagram, however brought adverse effects with the supremacy being the quantity of social media responses in the form of "likes" and "followers". The photo quality has improved significantly with the remarkable improvement of devices and software (apps). Although we do intuitively judge the individual photos "cool" or "good" it is still important for self-examination and critique of our own work, so as not to be too influenced by likes and followers.

Find Enzo:  Website / Instagram / EyeEm / Flickr 

Special thanks to my friend Grace and her father for their translation - it gave me so much insight into Enzo's work. 


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Cheryl Lemon Natural Collage and Photography

© Cheryl Lemon
What is your name and where do you live? 

CL:  My name is Cheryl Lemon. I live in Santa Cruz, California. I love living where the mountains and sea are close to my doorstep.


How did you get started in mobile photography? What device do you use? 

CL:  My first smart phone, an iPhone, was a gift, about 4 years ago. I wasn't sure I wanted it, but then was quickly enamored by the camera feature. It was so easy to just whip it out, whenever, wherever, so I found myself, like many, spending more time taking pictures with my phone than talking on it! Then I discovered photo apps, and needless to say, that opened up a whole other world. I've only had iPhones, and currently have an iPhone 6. Previously I'd used a variety of point and shoot cameras, primarily to take photos of my family.

© Cheryl Lemon



© Cheryl Lemon

Do you have a traditional photography or art background?

CL:  No, none at all, although I do consider myself a creative at heart. I've always loved to draw, doodle in the margins, write, create / make things / decorate and now, take photos with my iPhone! I've done some experimenting on my own with pastels, pen & ink, plus a little water color. I'm working up the nerve to take a painting class! P.S. In my next life I hope to answer yes to this question!

© Cheryl Lemon

© Cheryl Lemon

Who or what inspires you? 

CL:  I'm inspired by so many things, but nature is probably my biggest inspiration. The dynamic play of light and color never fails to move me, whether out in nature or in a crowded city. In thinking about this question, I realize that people, particularly people's faces, inspire me too, and yet I rarely take photos of people, especially people I don't know (I get all shy, plus don't want be too intrusive). Maybe by creating foliage faces on Instagram I've found a way to explore my fascination with faces. Speaking of, major inspiration credit (plus a whole lot of love and gratitude!) goes to Justina Blakeney, creator of #FacetheFoliage on Instagram! (See next question below).

All kinds of art forms and styles inspire me as well; modern abstract oils, ancient sculptures, global folk art, children's book illustrations, street art, I love it all. And Instagram...such an incredible source of inspiration and a wonderfully supportive community!

© Cheryl Lemon

© Cheryl Lemon

Your gallery on Instagram is so unique. I am particularly interested in how you started creating collaged faces?

CL:  I've been following Justina Blakeney, @JustinaBlakeney, a vivacious and prolific young artist, designer, stylist and author. She started posting these amazing foliage faces a little over a year ago, then created #FacetheFoliage, inviting others to join in and post their creations as well. I was instantly hooked. It was an easily accessible creative avenue and there was/is something about both the immediacy and transitory nature of it that drew me in. Who knew that it would grow and blossom (sorry, couldn't help myself with that one!) into a vibrant worldwide community movement?! Justina recently created an account, @facethefoliage, as well as the hashtag. It's been beyond fun, seeing and getting inspired by what others create, plus connecting with people all over the world!

© Cheryl Lemon

© Cheryl Lemon

Are the faces drawn, or is each feature also made using collaged bits of nature?

CL:  The faces are never drawn, but rather spontaneously fashioned entirely from foliage that I've collected from my yard or on walks and hikes. They often change quite a bit in the process. I now carry scissors with me and admit I've become a shameless plant thief too...though I am careful to not pinch anything precious. Weeds & fallen leaves are great!

In the best case scenario, I take a walk, collect some foliage and go home and make a face. But, often that's not how it goes. Sometimes I'll collect foliage but don't have time to get to making a face...and alas, they wither and die. But withered and half dried up can actually work sometimes too! And you'd die if you saw the foliage 'corner' in my garage - yep, I save all those promising bits and pieces. Dried leaves and flowers, seeds, pods, cones, moss...I'll stop there but I joke that I've become a plant hoarder. 

The only way to preserve these foliage faces is to take a photo, and this has turned into an unexpected and interesting part of the process as well. Often I'll look at a face I've made and then take a photo. I'm always surprised that, more often than not, the photo looks nothing like what my naked eye sees. I've discovered that it really helps to take photos along the way, as well as when I'm done. Sometimes I have a specific idea in mind, and on occasion I'll refer to a photo if I'm trying to create a real person (the hardest!). Other times the plants in hand are what inspire me. And sometimes, my ideas completely change in process. My first 'child' face happened when I began with the idea of doing a really old person....go figure?! A fun part about taking a final photo to post on IG is the ability to play around with apps to enhance the image.

© Cheryl Lemon

© Cheryl Lemon

In addition to your collage work, you also feature beautiful nature photos, portraits and still life. Is most of your work photographed with your iPhone?

CL:  First of all thank you, as I'm a total and utter amateur. And yes, most of my photos are taken with my iPhone. Having it so close at hand, I find I stop and notice things more than ever (I can hear my friends sighing), and by taking lots of pictures I hope I'm learning and improving by simply doing. Recently I purchased a digital Sony RX100 III, which I've been trying to teach myself how to use. I'm having fun with it and think it will be especially nice for traveling, but I still tend rely primarily on my iPhone.

© Cheryl Lemon


© Cheryl Lemon

What are your favorite apps for shooting or editing photos?

CL:  I only shoot directly with my iPhone. My go to app is Snapseed. Absolutely my fave! I also use VSCO Cam, PicTapGo and Mextures regularly. I've downloaded lots of other apps, more than a few gleaned from you, but the choices can overwhelm me, so I tend to rely on my tried and true. I did just download the Diana app though, and so playing around with that a bit.

© Cheryl Lemon

© Cheryl Lemon

Have you ever sold or exhibited your work? If not, any plans for the future? (I'm thinking greeting cards!)

CL:  No. People have asked, but for now, I'm just doing them for the enjoyment of it. I have made cards for my own use, such as holiday and birthday cards, plus I collaborated on wedding invitations for both my daughter's wedding and a friend of hers (I did some pen/ink and water color designs, including maps...loved doing the maps!). So, while no immediate plans, it is something in the back of my mind.

© Cheryl Lemon

© Cheryl Lemon

Have you ever entered any photo competitions? 

CL:  No.

© Cheryl Lemon

© Cheryl Lemon

Is there any area of mobile photography you would like to explore that you haven't yet tried?

CL:  I'm completely in awe of all of the incredible photographers on Instagram who have not only mastered their mobile phone cameras, but also utilize apps so creatively! I really appreciate your anatomy of an edit videos too and hope you keep doing them (by the way, how DO you get the erase app to work?!) I'm drawn to photo collages & photos utilizing multiple images, so that is something I'd really like to explore. And people, I hope to take more photos of people!

(Geri's Note: I use Sketch Club or Union for erasing parts of images and layering them. Other good options are Superimpose and Juxtaposer. There are more but these are the ones that come to mind. I like Sketch Club because you cannot only zoom in super close, you can also rotate the image which makes it easier to erase. The only challenge is there is no masking ability so once you erase part of an image you can't paint it back.)

© Cheryl Lemon

Is there anything else you'd like to add?

CL:  Thanks so much for including me in your interview series Geri. Initially I was a bit intimidated by the idea, as I'm such an amateur. So thanks for your encouragement, and...I really did enjoy doing this! And now, I'm excited to go back and pour over your previous interviews...some truly mind-blowing talent....can't wait to learn some more, get inspired some more, oh, and download some more editing apps! Isn't Instagram incredible?!


Find Cheryl: Instagram

Apps Mentioned: 
Sketch Club
Superimpose
Juxtaposer
Snapseed
VSCO Cam
PicTapGo
Mextures
Diana Photo
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Wednesday, November 25, 2015

Painterly Mobile Art No. 30

paint-er-ly 
adjective
of or appropriate to a painter; artistic

“The artist never entirely knows — We guess. We may be wrong, but we take leap after leap in the dark” ~Agnes de Mille

Curls © Davinia
Curls © Davinia

© Garry Ryon
© Garry Ryon

Lady in White © Andrea Koerner
Lady in White © Andrea Koerner

...till the cows come home © Cyndy Johnson
...till the cows come home © Cyndy Johnson

Off the Canal © Jane Fiala
Off the Canal © Jane Fiala

Irreconcilable Differences © Diana Nicholette Jeon
Irreconcilable Differences © Diana Nicholette Jeon

Ant in a Rolled Leaf © Kristin Moeller
Ant in a Rolled Leaf © Kristin Moeller

A Walk in the Early Morning Light © Solly Avenue
A Walk in the Early Morning Light © Solly Avenue

© Erika Brothers
© Erika Brothers

Autumn © Anne Kable
Autumn © Anne Kable 

Anamorphic Visions of Grizzy Apparitions © Chad Rankin
Anamorphic Visions of Grizzy Apparitions © Chad Rankin

Pink © Michael Trombley
Pink © Michael Trombley

Controlled Chaos © Bobbi McMurry
Controlled Chaos © Bobbi McMurry

Wistful © David Hayes
Wistful © David Hayes

Basic Elements © Mike Bowers
Basic Elements © Mike Bowers

March Fog - Wichita © Wayne Greer
March Fog - Wichita © Wayne Greer

Conference of the Just © Roger Guetta
Conference of the Just © Roger Guetta

© Michelle Robinson
© Michelle Robinson

Lattice © Leon
Lattice © Leon

© Robin Robertis
© Robin Robertis
Violin Abstracted © Geri Centonze
Violin Abstracted © Geri Centonze


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Tuesday, November 24, 2015

Brandon Kidwell - The Master of Many Styles

I first noticed Brandon Kidwell's double-exposure work and was happily surprised when visiting his online galleries to see that he has an eclectic style that includes various subjects and techniques. Below is my interview with this very talented mobile photographer.

© Brandon Kidwell
What is your name and where do you live?
BK:  Hello, my name is Brandon Kidwell and I'm from Jacksonville, Florida.

How did you get started in mobile photography?
BK:  I bought my first iPhone in the winter of 2012 and saw that my kids were using Instagram to share photos with their friends. I'm not a big social media person, but saw that you could just post photos to share without making them necessarily personal. Then I found a few people using our local @igersjax tag which is a local community and really enjoyed the photos these people shared. From there, I followed the rabbit down the hole and joined the great AMPt Community and was fortunate enough this year to be invited into the incredible GRRYO family.

What device do you use?
BK:  My main tool is an iPhone 5 but I also use a Nokia Lumia 1020.

Love begins at home © Brandon Kidwell
Love begins at home © Brandon Kidwell

Do you have a traditional photography or art background?
BK:  Outside of family snapshots I had no experience outside of mobile photography. Prior to my photography days I spent a lot of time skateboarding with my son and filming and editing videos on my Mac.

Morning Battles © Brandon Kidwell
Who or what inspires you?
BK:  I'm inspired every day by my wife and kids and our everyday moments. I try more and more to "be here". I'm a constant daydreamer and my wife describes me as "in his own world" often. Outside of my family I'm inspired by films, books, photographers I've been fortunate enough to get to know in the mobile photography community and I can say the beauty of life, nature and the mysterious universe - it never ceases to amaze me.

Little Man, King of the Wild 2 © Brandon Kidwell
Little Man, King of the Wild 2 © Brandon Kidwell
By Any Other Name © Brandon Kidwell
By Any Other Name © Brandon Kidwell
Looking through your gallery on Instagram, I see a lot of overlaid imagery, beautiful silhouettes, gorgeous beach scapes and stunning portraiture. You seem to be a master of all sorts of styles - is there one you prefer?
BK:  Wow, thank you very much, that's a great compliment to hear. I am still new to photography so I try to be like a sponge and absorb everything I can. I try to do the same with how I share and be open to sharing my work in the best manner for each specific image. I tried to force a style or genre at one point and it didn't feel right. I love exploring different styles and being open to any door available so I don't narrow the creative playing field.

Proud Pelican © Brandon Kidwell
Proud Pelican © Brandon Kidwell
Lost time is never found again © Brandon Kidwell
Lost time is never found again © Brandon Kidwell
What piece are you most proud of and why?
BK:  There is an image of my daughter called "She Blooms". That piece is the most honest for me, the closest I feel I've come to executing an idea. She's a teenager and watching her grow up into a beautiful young lady has been one of the most incredible, beautiful and slightly frightening experiences for me.


Congratulations on your recent First Place IPPAWARD for the Lifestyle Category! Can you tell me a bit about the winning image?
BK:  Thank you very much, that was a great surprise and a great honor. The photo was taken on top of the Main Street Bridge in downtown Jacksonville, Florida. My wife joined our Dragon Boat team for a corporate fundraising event and is in the photo in the 4th row from the back. All day I was taking photos from the ground and none of them were anything I'd share artistically, mostly just family snapshots. With the wide river and the skyline of buildings across the way in the harsh daylight, the photos weren't spectacular. I decided to climb the bridge and stand on one of the lookout decks and wait until they launched for their race. Luckily, they floated directly underneath me and I snapped this shot. I later rowed in a race and going against the current it felt like we were pushing through mud. I remembered there was a cracked paint texture in PicFX and I used it for the photo to portray that feeling.


Do you normally plan your photo shoots, or do you just take photos as you go about your day-to-day life?
BK:  My busy day consists mainly of family, animals and work, so planned shoots are rare. I generally work shooting into my life and leave 30 minutes early to explore when meeting people or keep my eye out for interesting locations en route to somewhere. I have had to learn to balance life with family and put away my camera phone after a few shots. I abused the camera in the beginning and annoyed my wife and kids. They're great and enjoy taking a few photos, but don't enjoy all day photography outings so I exercise my discretion regularly.

Shadowplay © Brandon Kidwell
Shadowplay © Brandon Kidwell
The world is yours © Brandon Kidwell
The world is yours © Brandon Kidwell
What are your favorite photo editing apps? Do you have a typical workflow? If so, please describe it.
BK;  Snapseed is a must for everyone. It's the essential editing app for photography and keeps image resolution intact. I have always been a Filterstorm junky, but lately have been using Union app for my blends more. VSCO Cam is incredible for the tones it generates, iColorama has so many incredible tools I'm still exploring them. Mextures is unparalleled in its colors and textures. There simply isn't another app like it. There are many others I use from time to time - AvgCamPro, Camera+ is an incredible camera app and great for its exposure controls and for capturing action. Oggl, Noir Photo, SKRWT and Retouch are all great editing assets.

The Doorman © Brandon Kidwell
The Doorman © Brandon Kidwell
I don't have a regular workflow outside of my double exposure edits. The self-portrait and hand double exposure edits are all planned and start with the photo of the subject mostly silhouetted but with enough light to highlight the features and give is some sense of depth. I then shoot or choose the second photo to blend in based on the desired emotion or message I'm trying to convey. Once the image is blended, I'll use an appropriate color scheme and texture if necessary to emphasize the mood. If interested, I have two tutorials that cover the basic technical aspect of my workflow on my website.

A Man of Means: Doorway to the Past © Brandon Kidwell
A Man of Means: Doorway to the Past © Brandon Kidwell
Hard Times © Brandon Kidwell
Hard Times © Brandon Kidwell
How do you manage all your photos? Do you store them on a computer or keep them on your device?
BK:  I started a website late last year to make sense and curate my work since it varies in style and subject matter. I save edits, photo essays and series in folders on my laptop. Other than that I have two backup drives that are highly unorganized outside of the default chronological order they're saved in. I probably should spend some time to organize more but I don't see that happening soon. Ha! Ha!

Exhale © Brandon Kidwell
Exhale © Brandon Kidwell
Have you ever sold your work? If so, what venue do you use?
BK:  Hmmm, I sold a few minor pieces through INK361 and my old Instagram account but outside of that I haven't explored that side of my art yet.

Do you have any advice for aspiring mobile photographers?
BK:  Explore, experiment and don't be afraid to try something new. The best thing to me about mobile photography is that the tools are literally at your fingertips and with the apps available, you can shoot a beautiful sunset and share it directly and unaltered or you can take a picture of an ordinary bottle cap and make it a work of art. The limits are only those which we impose upon ourselves, so be open to whatever you feel like capturing and creating. One of the best ways to find inspiration is to get involved in the community, there are many incredible resources including blogs and websites like the one you're on now Art of Mob J, GRRYO, AMPt, etc., as well as great communities and social sharing networks such as Instagram, EyeEm, 500px, Flickr and jump in!

Stranger than Fiction © Brandon Kidwell
Stranger than Fiction © Brandon Kidwell 
Room With a View © Brandon Kidwell
Room With a View © Brandon Kidwell
Is there anything else you'd like to add?
BK:  I'd just like to say thank you very much for the opportunity to share a little about my art, this community is incredible for the amount of sharing and support. I have a great feeling that mobile photography, whatever it will become in the future, will produce some incredible art and a flourishing generation of artists to come.

One Day...© Brandon Kidwell
One Day...© Brandon Kidwell

Find Brandon: Website / Flickr / Instagram / EyeEm / 500px / AMPt 

Apps Mentioned:
Picfx
Snapseed
Filterstorm
Union
VSCO Cam
iColorama
Mextures
Average Camera Pro
Camera+
Oggl
Noir Photo
SKRWT
Touch Retouch


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