Showing posts with label Hipstamatic. Show all posts
Showing posts with label Hipstamatic. Show all posts
Sunday, November 15, 2015
Summer Issue of Snap Available on The App Store for FREE
Everyone likes a freebie! Check out the latest issue of Snap Magazine by downloading the app on the App Store (FREE!)
What is Snap?
Snap is a free monthly digital publication from Hipstamatic on the iPad. Snap showcases the driving forces behind global creative culture, and explores provocative new ways to interpret the beauty around us.
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What is Snap?
Snap is a free monthly digital publication from Hipstamatic on the iPad. Snap showcases the driving forces behind global creative culture, and explores provocative new ways to interpret the beauty around us.
Add to Flipboard Magazine.
Saturday, November 14, 2015
Hipstamatic Retropak Five and All Bundled Sets on Sale 99-Cents!
All of Hipstamatic's bundled sets are on sale thru Monday, June 16th for only 99-Cents! This is a chance to get the brand new RetroPak Five at this reduced rate. It includes the following:
Purchase available through Hipstamatic app.
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Purchase available through Hipstamatic app.
Add to Flipboard Magazine.
Monday, November 9, 2015
Connie Gardner Rosenthal - Hipstamatic Journey Through India
I was very intrigued by the series of photographs from India by iPhone photographer Connie Rosenthal. What a pleasure to learn more about the artist and her experience there. Connie lives only about 45 minutes from me in Southern California and we've never met...yet! Connie credits the L.A. Mobile Arts Festival for sparking her interest in iPhone photography and this was the impetus for my journey as well. I'm guessing when we do meet, we won't run out of things to talk about!
What is your name and where do you live?
CGR: My name is Connie Gardner Rosenthal. I live in Los Angeles.How did you get started in mobile photography? What device do you use?
CGR: In August 2012, my husband and I went to a photography exhibit at the Santa Monica Airport. The exhibit was the The L.A. Mobile Arts Festival and my first introduction to mobile photography. I loved the work I saw and the idea of taking photos on my phone. I went home, bought some apps and started playing. Though I had no idea what I was doing, it was fun and I quickly became hooked. I started following websites and blogs, reading and watching tutorials and eventually started taking workshops which I continue to do. I currently use an iPhone 5S.
Do you have a traditional photography or art background?
| Girls at festival in Jodphur |
| Happy Guy at Sufi Temple |
| Man in Varanasi |
CGR: I have no formal art or photography training. I studied some Art History in college and took a few basic photography classes in the 70’s. I am a self-taught jewelry designer. Before discovering the iPhone for photography, I took photos on family vacations. In March 2013, I went to Santa Fe for my first iPhone workshop with Karen Divine, the most intuitive, patient, encouraging teacher anyone would want to study with. I have continued taking workshops with Karen; one in Snowmass, Colorado and I went on an amazing workshop/trip with Karen to India. When not attending workshops, I work with Karen on Skype. This November she is teaching a workshop in San Miguel de Allende which I am excited about attending. As a forever student I enjoy learning from tutorials, books, websites, blogs, etc
Who or what inspires you?
| Goat in old Delhi market |
| Guard at Mehrangarh Fort |
CGR: I find the entire mobile photography community inspiring and supportive. I am inspired by Karen Divine, Gina Costa, Eric Rozen, Geri Centonze, Roger Guetta, Lee Atwell, Armineh Hovanesian, Grace Brignolle, Meri Walker just to name a few. The ‘what’ that inspires me are busy places with lots of different people doing lots of different things. I love photographing at the Santa Monica Pier and at Venice Beach in Los Angeles and New York City is one of my favorite places to shoot. I also enjoy interesting architecture and trying to shoot architecture in interesting ways, closeups of flowers and shooting in black and white.
I'm particularly interested in your series shot in India. Please tell me a bit about the trip.
| Pink turbans in Varanasi |
| Woman in Narlai |
CGR: I was lucky enough to go to India on an iPhone workshop with 4 other women led by the amazing Karen Divine. It is a very colorful and exciting place which offered amazing opportunities to capture people in their homes, schools, shops, etc. In Delhi in the crazy traffic we went to the the spice market, the Sufi temple and some wonderful shopping areas. In Jodphur we went to the Mehrangarh Fort, now a museum, a women’s festival and the open air market. We stayed in safari tents while in Rohet Garh and were guests at an all-male opium party. In Narlai we stayed at Narlai Rawla, the hunting lodge of one of the prime ministers of Rajasthan. It was a very special place as were the people of Narlai. On village walks with the hotel staff, we went into homes, schools, shops and also enjoyed a jeep ride at dusk to photograph the shepherds bringing their flocks home. Varanisi is the main holy city and as intense and crazy as Delhi was, Varanisi was even more so. We went to the Ghats by the Ganges River both before sunrise and at dusk. We went out in boats to see the evening ceremony, the cremations and in the morning, the many people bathing and washing laundry in the river. The Taj Mahal is in Agra and is amazing to see in person. It was quite crowded as it is a popular place for Indians to visit.
The whole experience was amazing. Spending several days in each place gave us the opportunity to explore and photograph while also having plenty of time to work on our assignments. Each night we’d gather and share and critique our work. I look forward to returning to India, to learn more about the people and their culture and because it is a very colorful and inviting place to capture photographs.
How did the local people respond to being photographed?
| Man in Narlai |
| Man in Varanasi |
| The magnificent Taj Mahal |
CGR: The local people were very welcoming and loved being photographed.
Were all the images shot with Hipstamatic? Did you do any post-editing?
CGR: My images were shot with Hipstamatic. Any editing was minimal and was done with Snapseed and TouchRetouch.
Have you ever exhibited or sold your work? If so, where? If not, any plans to do so?
| Boys at home in Narlai |
| Camel in Narlai |
| Man in old Delhi market |
CGR: My work has been featured on The App Whisperer, Mobiography, Hipstography, iPhoneographyCentral, and P1xels at an Exhibition. I won first place in an iPhone Life Magazine contest, I have a photo featured in the upcoming NEM Kansas City online exhibit and I was shortlisted for the MiraMobile Prize exhibit in Porto, Portugal. I have not tried to sell any photos.
What image are you most proud of and why?
| Old woman in Narlai |
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| Rooftop life in Delhi |
| Woman in old Delhi market |
CGR: One of my favorite images is “Bangles and Toes”. The woman whose feet I photographed was sitting out front of a home in Narlai visiting with a friend. She was radiantly beautifully, dressed in brightly colored clothes and full of smiles and welcome. I spotted the rings and bangles on her feet and took one photo with Jane and Blanko Freedom and another with Diego and Uchitel (Hipstamatic Lens and Film combinations). I like how the second shot captures the essence of this woman while leaving a mystery of the colors and details and who she is to the viewer.
CGR: I am grateful for the opportunity to be featured on Art of Mob and want to thank Geri for the invitation. I think Art of Mob is one of the best mobile photography sites and I am proud to be part of it.
| Saris at the Taj Mahal |
| Water Buffalo in Rohet Garh |
Saturday, November 7, 2015
The Whole Story - Unknown Horizons by Halil Yalçin
Once again, I bring you an image submitted for this series. Although a picture is worth a 1000 words, there are times when I want to know what is really going on in the photo and what captured the photographer's attention to want to freeze a particular moment in time. Today's submission is by Halil Yalçin - please read on to learn The Whole Story. If you would like to submit an image for a possible feature, please tag your images using the hashtag #the_whole_story on Instagram.
The Photograph
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| Unknown Horizons © Halil Yalcin |
Do you know? Each migration has its own history. How could you leave all of them behind you? How could you take the road to go for unknown horizons? Is it easy to leave your home, your land, your sky and stars? Being witness to the migration of a family is a real sadness.
I took a ferry during my last trip with my family. Gulls, fall, used ropes and a cup of tea under the autumn sun; They were all very pleasant. I said, what a nice trip! I wanted to have a short walk to relax my legs. Suddenly, I saw her. A silhouette...Black...She was sitting on the front side of the ferry near the ropes. She looked to the horizon. She hid her face, constantly praying. Three young men were standing near her. The one that appeared the oldest called to her, “Don't worry mum, everything will be great. We had lost our hopes. A new life, chance will be with us and we will begin again. Don’t worry." She did not hear or did not care what he said. Her heart was dark, She was like a black shadow in the colorful world. Seagulls gave up following the ship. She returned to her prayer.
I had already prepared my iPhone and I wanted to try a Hipstamatic combination that I had never used. I kept my camera on my chest. I took 5 or 6 photos. I tried to follow them as much as possible. I was sorry, but my curiosity took control. Far away from a big city. Screams of seagulls confused the sounds of the city. She felt herself as the smallest one, she felt loneliness in her heart. When the sounds rose, she felt the ship's whistle in her heart and understood that it was the end of the trip. She wanted to hold the ropes. She turned her head to the pier with worry on her face and saw the crowd. The end of the story...I can only guess and leave it to your own feelings.
I used only Hipstamatic for this image. This image was taken with Matty ALN + BlacKeys B+W
Here are more of my favorite Hipstamatic combinations:
B&W
- Watts + D Type Plate + PopRox
- Jane + BlacKeys Extra Fine + PopRox
- Abbie + AO BW + Jolly Rainbo 2X
- LuciferVI + Rock BW + PopRox
COLOR
- Americana + C Type Plate + PopRox
- Libatique 73 + Sugar + PopRox
- Melodie + Robusto + Jolly Rainbo 2X + Juicy Orange Gel
- John S + Robusta + Juicy Orange Gel
- Jimmy + Ina's 1969 + PopRox
In general, I frequently use these apps:
For taking photo : Camera+
For adjustment : Snapseed
For textured look: ScratchCam, Mextures, Pic Grunger and Distressed FX
The Photographer
My passion for photography emerged when I was studying at University. My special field of interest is History of the Art of Photography. Especially I like working on the experimental studies of the 19th century photographic technique and I am in preparation for a book about it.
My wife and my daughter surprised me by giving a great present for the celebration of my birthday last year. This was an IPhone 4S. After discovering the amazing works of the iPhone, my approach to the mobile artistry was totally changed. I have started to use Instagram for sharing my photos. It is my greatest passion now.
Apps Mentioned:
Wednesday, November 4, 2015
Featured Mobile Photographer Nick Duncan
Geri's Note: Although I normally edit my images until they barely resemble the original photo, I have a deep appreciation for the photographers whose work stands alone, without passing through dozens of apps first. One such photographer that I recently discovered on Instagram is Nick Duncan.
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What is your name and where do you live?
My name is Nick Duncan and I live in rural Illinois, about 90 miles southwest of Chicago.
How did you get started with mobile photography? What device do you use?
I got started in mobile photography fairly recently...maybe two years ago. I was once making a living as a photographer shooting automotive and open wheel racing, among other things. Unfortunately, that career came to an end and I unsuccessfully tried to soldier on in other areas of the photography business. Following that..oh, can we call it a demise?...I went on a bit of a hiatus. Mobile photography was the thing that started to pull me back. You could say that it has reminded me what I loved about photography all along. I currently have an iPhone 4s.
Do you have a traditional photography or art background?
Yes, I went to Brooks Institute of Photography in Santa Barbara and graduated in 2001.
Who or what inspires you?
There is so much that inspires me that I often feel I might have an attention deficit issue. Photography, music, art, architecture, literature, motorcycle builders...it’s a long and random list.
I love the cohesive nature of your gallery - do you only use Hipstamatic?
Well, thank you. An old friend of mine is a co-owner of Color Services photo lab in Santa Barbara. They are the lab that prints for Hipstamatic/Oggl (and do a fantastic job, by the way). He turned me on to the app a few years ago. I was in a bit of a rut and it came along at the right time. The developers of Hipstamatic recently released a sister app called Oggl. It’s similar in function but is more of a social platform as well. I use that quite a bit. Actually, that’s probably the only thing I use anymore.
I'm not that familiar with Hipstamatic - what advice do you have for people learning how to find the best combinations of lenses and films?
Hipstamatic and Oggl are very versatile and have a wide range of lens and film combinations. What I particularly like about them is that the effects aren’t too overdone. There are samples to look at before you buy any additional lens or film. It’s just a matter of your taste and experimentation in finding what you like. Once a photo is taken, you can edit it after to any of your film or lens combinations. It saves to your library and you can share it to your Oggl profile, Instagram, and Facebook as well.
Is there a favorite subject that you prefer to photograph?
Well, I took up cycling a handful of years ago. It was on those daily rides that I began shooting again. It was something about the solitude and peacefulness of it. You really feel a different connection to your surroundings on a bike. Most of my images in fair weather months are taken from the seat of my bike. However, I’m slowly creeping back to shooting more beyond that these days..especially in winter months when my cycling is relegated to a trainer in my office.
Do you edit any of your images or are they posted directly from your iPhone? If you do edit, are there any apps you prefer?
I started with mobile photography with the idea that I was going to stay fairly pure and simple. To this point, I haven’t edited any of my images beyond Hipstamatic/Oggl.
Please share a few of your favorite Hipstamatic combinations.
Well, I think that I go through phases with film and lens choices and it depends largely on the image itself. I almost always shoot in Landscape mode and edit the choices when I have time after. I usually chose the film first and then go through lens choices. I would say that my most used films lately would be a few of the different Blanko films. I tend not to add a lot of effects that often, but there are some nice ones to choose from: C-Type Plate and D-Type Plate have a nice tin-type effect. Robusta has a textured discolored matte that I like. And, Uchitel 20 has a stained, desaturated matte border that's nice. As far as lenses, I would say that Jane is pretty versatile and I use it quite a bit. Loftus has a nice blurred, macro effect. I also use Helga, Wonder, Tinto 1884 and Lowy quite a bit.
Please share a few of your favorite Hipstamatic combinations.
Well, I think that I go through phases with film and lens choices and it depends largely on the image itself. I almost always shoot in Landscape mode and edit the choices when I have time after. I usually chose the film first and then go through lens choices. I would say that my most used films lately would be a few of the different Blanko films. I tend not to add a lot of effects that often, but there are some nice ones to choose from: C-Type Plate and D-Type Plate have a nice tin-type effect. Robusta has a textured discolored matte that I like. And, Uchitel 20 has a stained, desaturated matte border that's nice. As far as lenses, I would say that Jane is pretty versatile and I use it quite a bit. Loftus has a nice blurred, macro effect. I also use Helga, Wonder, Tinto 1884 and Lowy quite a bit.
Have you ever exhibited your work? If not, any plans to do so?
When I was shooting professionally, my work was published in various places but I have no current plans to exhibit anything that I am doing now. It has been a welcome exercise in getting my creativity back and getting excited about photography again. We’ll see where it goes from there.
Is there anything else you'd like to add?
When I was a student at Brooks, I don’t think I could’ve imagined what a transformation photography would go through in these years since. On one hand, it has been such a great thing for photography. Never has it been so accessible to so many people. Never have your eyes been open to so much from all over the world. It can be both humbling and overwhelming. And, it was inevitable that this transformation would drastically change the way that people could make a living as working professionals. When you stop and look at the last 10-15 years, it is quite amazing.
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